Offering Legal Services to Non-Fiction Authors
Non-Fiction Authors Have Unique Legal Risks based on the Genre of the Non-Fiction
*Auto-Biographies *Memoirs *Self-Help & Instruction *Business Books *How-to's & Guidebooks *Health & Wellness
Legal Review of Manuscripts for Libel & Privacy and 17 Legal Risks + Vetting for Clearances & Permissions
Review & Negotiation of Publishing Contracts
Preparation of Co-Author or Illustrator Collaboration Agreements, Ghostwriter Agreements, & Disclaimers
Pre-Publication Legal Review. Manuscript Vetting for Legal Risks. Including Defamation & Privacy. Clearances & Permissions.
Non-fiction authors have legal exposure in at least 17 areas of the law and many are overlooked by Authors.
These areas of risk include *using real life names & places
*using copyright-protected materials such as text, photos, graphs, and charts
*using private information of others
Other legal areas include laws relating to copyright, rights of publicity, rights of privacy, false light, libel & defamation, entity formation, pen names, and many more.
I am AI saavy and will also provide guidance to you about use of AI Models and Copyright Law.
I routinely review non-fiction books/manuscripts for legal risks using a proprietary questionnaire and forms and checklists that incorporate all 17 areas of concern developed by me over 30+ years.
PRE-PUBLICATION LEGAL REVIEW - This is My Process & How I Work with YOU
OTHER SERVICES - Prepare and Negotiate Publishing Contracts
Connie has extensive experience negotiating publishing contracts - from academic/university presses to Big 5 contracts. Lexis-Nexis hired her to write its Trade Book Contract guide for its Practical Guidance subscription service offered to attorneys and legal professionals. Connie stays current with technology, especially AI and its impact on writing and publishing.
Although the digital printing and publishing industry has significantly changed the publishing process, publishing contracts from publishing houses have not changed to keep up with technology and create problems for the author. For instance:
Prepare & Negotiate other Important Agreements you may Overlook
Your project will likely require you to obtain agreements from others to keep you out of legal hot water. A few of these agreements may include:
Using Real People in your Manuscript -Legal and Practical Considerations
Memoirs and biographies are real stories about real people, places, and events. Using real people, places and events comes with heightened legal risks. An author needs to be particularly sensitive about the truthfulness and accuracy of the information. How will the person being written about feel if and when he or she reads your manuscript?
Many of the considerations I always analyze when vetting manuscripts with my clients are included in a BLOG POST (see my blog posts under the same title). I use these questions to assist in analyzing legal risks and to advise, as to each person and company mentioned in your manuscript, whether or not you must obtain written permission from each person (always the best practice), or take other action to avoid legal risks and to avoid ruining relationships. These considerations should also be applied when you write about a business or company.
Do I Really Need a Literary Attorney for my Non-Fiction Book?
Congratulations, you have completed your non-fiction manuscript! As a non-fiction author, you are faced with unique issues that are not relevant to fiction projects. As a non-fiction author, you deal in the real, the facts, the actually-happened, and perhaps science. Your mindset really dictates that you make sure your manuscript will not expose you to very real liability and that you are fully aware of the real impact of the contracts you may sign along the way (ghostwriting, agent, publishing, permissions, etc.).
There are many reasons why you want to engage the services of a literary attorney who focuses on non-fiction authors and non-fiction projects before you self-publish or submit your manuscript to publishers and/or after you have a ghostwriting, agent, or publishing contract in hand. Why?
The very real risk that you may have tripped over the law without knowing it, exposing yourself to legal liability and being forced to retain legal counsel and paying damages.
If you self-publish without attorney review, you expose yourself to legal threats, lawsuits, and claims against you for thousands or even millions of dollars.
If you publish with any publisher, the publisher will expect you to have vetted and resolved all issues—the publisher’s attorney will not do this for you. So, assuming the publisher allows your book to be published without attorney review, you expose yourself and the publisher to legal threats, lawsuits, and claims; both you and the publisher may be sued, and your publishing contract will require you to repay your publisher for any claims made against them. This means you will pay for your attorney fees and damages, and your publisher’s attorneys’ fees and damages (a double hit).
This is a problem for non-fiction authors in all genres and formats. Books, workbooks, true crime, memoirs, course-packs, academic publishing and textbooks, online educational programs, and even historical fiction all present unique issues.
There are at least 30 separate bodies of law and legal issues that may apply to your non-fiction manuscript. This means exposure for liability in potentially all of these areas.
I am not exaggerating when I say there are at least 30 areas of potential liability. You need to be made aware of what areas apply to your manuscript and collaborate with your attorney now to find options and edit your manuscript as may be necessary to mitigate your legal exposure. In some cases, there are very simple fixes and in others, not so simple. But, it behooves you to be aware of the risks of your current manuscript and for your future manuscripts.
Forming an LLC or corporation will not necessarily eliminate your personal exposure for liability.
If you have tripped over any law in your manuscript, you will still be named personally (as well as your LLC or corporation) in any lawsuit. There are many good reasons to form an LLC or corporation for your project, but this will not prevent you from being sued personally and your personal assets may still be at risk.
An agent does not represent your interests to the fullest degree.
Agents and lawyers have different areas of expertise. Although their knowledge of publishing contracts may overlap, their training and experience do not.
If you have an agent, your agent does not have a duty to exclusively represent your interests—he or she can and usually will continue to represent his or her interests (primarily in the commission) when it comes to the publishing contract. An attorney will look at the monetary terms (advance, royalties, recoup), but will also look at the even more important non-monetary clauses.
These are the clauses that could put your book on ice forever, assign all your rights, and the out-of-print clauses, reversion rights, options that bind you to the publisher, and other clauses the agent does not care about. These are clauses that you should know about before you sign the contract, not after when you have no chance to make any changes and are stuck.
Publishers have stock forms of contracts that favor the publisher, and it is up to the author to make any changes. These contracts have been drafted by lawyers for the publishers, and you should have a lawyer on your side to even the playing field.
It is less expensive to retain an attorney now, rather than after there is a problem.
The cost of retaining a non-fiction literary attorney to review your legal exposure from your manuscript in the over 30 areas of law and to review with you and explain the detailed workings of your publishing contract is a smaller (and usually more reasonable) expense.
Compare that to an author who months or years after publishing their book is faced with a legal demand that will not go away until an attorney is retained and damages are paid. Or, an author who has signed a publishing contract without examination by an attorney is faced fighting with the publisher or opposing a publisher’s legal team in court to get the author’s rights back or to account for or pay royalties, all of which will most certainly result in the agent and the publisher blacklisting the author.
You have worked hard to finish your manuscript, so make sure you have minimized your risks and understand the contracts you are signing.
Retaining an attorney before you publish or submit your manuscript to a publisher can give you reasonable assurance that your legal liability is minimized and you can sleep at night.
Retaining an attorney to review your agent agreement and your publishing agreement will inform you as to the specific mechanics of the particular agreement, giving you an opportunity to negotiate changes and understand what you are signing. Retaining an attorney is no guarantee that you, your agent, or your lawyer can successfully negotiate for everything you want, but it will make your decision whether or not to sign the deal much easier and you will know what to expect from the agreement.